Overview
Later versions of Machina
spectulatrix were exhibited
at the Festival of Britain in 1951. Walter stressed the
importance of using purely analogue electronics to simulate brain processes at a time when his
contemporaries such as Alan
Turing and John Von Neumann were all turning towards a view of
mental processes in terms of digital computation. His work inspired
subsequent generations of robotics researchers such as Rodney Brooks, Hans Moravec and Mark
Tilden. Modern incarnations of Walter'sturtles may be found in the form of BEAM robotics.
Walter was born in Kansas
City, Missouri, in 1910. His ancestry was German/British on his father's
side, and American/British on his mother's side. He was brought to England in
1915, and educated at Westminster Schooland afterwards in King's
College, Cambridge, in 1931. He failed to obtain a research fellowship in
Cambridge and so turned to doing basic and applied neurophysiological research
in hospitals, in London, from 1935 to 1939 and then at the Burden
Neurological Institute in Bristol, from 1939 to 1970. He also carried out research work in
theUnited States, in the Soviet Union and in various other places in Europe.
He married twice, and had two sons from his first marriage and one from the
second. According to his eldest son, Nicolas
Walter, "he was politically on the left, a communist fellow-traveller
before the Second World War and an anarchist sympathiser after it." Throughout his life he was a pioneer
in the field of cybernetics. In 1970 he suffered brain injury in a motor scooter accident.
He died seven years later on May 6, 1977 without fully recovering.
Brain waves
As a young man Walter was greatly influenced by the work of the
famous Russian physiologist Ivan
Pavlov. He visited the lab of Hans
Berger, who invented the electroencephalograph,
or EEG machine, for measuring electrical
activity in the brain. Walter produced his own versions of Berger's machine
with improved capabilities, which allowed it to detect a variety of brain wave types ranging from the high speed alpha waves to the slow delta waves observed during sleep.
In the 1930s Walter made a number of discoveries using his EEG machines
at Burden Neurological Institute in Bristol.
He was the first to determine by triangulation the surface location of the strongestalpha
waves within the occipital lobe (alpha waves originate from the thalamus deep within the brain). Walter demonstrated the use of delta waves to locate brain tumours or lesions responsible forepilepsy.
He developed the first brain
topography machine based on EEG, using on an array of spiral-scan CRTs connected
to high-gain amplifiers.
During the Second
World War he worked on scanning radar technology and guided missiles, which may have
influenced his subsequent alpha
wave scanning hypothesis of brain activity.
In the 1960s Walter also went on to discover the contingent negative variation (CNV) effect (orreadiness potential)
whereby a negative spike of electrical activity appears in the brain half a second prior to a person being
consciously aware of movements that he is about to make. Intriguingly, this effect
brings into question the very notion of consciousness or free
will, and should be considered as part of a person's overall reaction time to events.
Walter's experiments with stroboscopic light, described in The
Living Brain, inspired the development of a Dream Machine by the artist Brion Gysin and
technician Ian Sommerville.
Robots
Grey Walter's most famous work was his construction of some of the
first electronic autonomous robots.
He wanted to prove that rich connections between a small number of brain cells could give rise to very complex behaviors - essentially that the secret of how
the brain worked lay in how it was wired up. His first robots, which he used to call Machina speculatrix and named Elmer and Elsie,
were constructed between 1948 and 1949 and were often described as tortoises due to their shape and slow rate of
movement - and because they 'taught us' about the secrets of organisation and
life. The three-wheeled tortoise robots were capable of phototaxis, by which they could find their way to a recharging
station when they ran low on battery power.
In one experiment he placed a light on the "nose" of a
tortoise and watched as the robot observed itself in a mirror. "It began
flickering," he wrote. "Twittering, and jigging like a clumsy
Narcissus." Walter argued that if it were seen in an animal it "might
be accepted as evidence of some degree of self-awareness."
One of the tortoises was modified, (given the pretend scientific
name Machina docilis) and
had added to its simple single celled "brain" one, then two
conditional reflex circuits in which they could be taught simple behaviors
similar to Ivan Pavlov's dogs.
This tortoise was called CORA.
One of these included being hit meant food whilst whistling means food, and
when conditioned such a whistle by itself means being hit. When he added
another circuit tuned to a whistle of another pitch, this could become whistle
means being hit, whistle means food, this would make the animal become
"afraid" whenever food was presented. Walter remedied this
behaviour by severing the two additional circuits, and the tortoise reverted to
being a Machina speculatrix.
The conditioned reflex behaviour was later placed into a static desktop model,
also known as CORA.
Later versions of Machina
spectulatrix were exhibited
at the Festival of Britain in 1951. Walter stressed the
importance of using purely analogue electronics to simulate brain processes at a time when his
contemporaries such as Alan
Turing and John Von Neumann were all turning towards a view of
mental processes in terms of digital computation. His work inspired
subsequent generations of robotics researchers such as Rodney Brooks, Hans Moravec and Mark
Tilden. Modern incarnations of Walter'sturtles may be found in the form of BEAM robotics.
An original tortoise is on display in London UK in the Science
Museum's Making the Modern World gallery. Recently, one was also replicated by
Dr. Owen Holland, of the University of the West of England in 1995 - using some of the original
parts. An original tortoise as seen at the Festival of Britain is in the
collection of the Smithsonian
Institution.



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